Cross-posted from “Musical Notes ♫ Official blog of the National Alliance for Musical Theatre“
About fifteen years ago when I graduated from the NYU Graduate Musical Theatre Writing program, I was faced with the reality of what I would do for a living. I had some recording equipment and thought that perhaps I could start a recording studio. When I met my partner, Brent Lord, who had the technical knowledge, we formed a company which later became FatLab Music. We specialized in recording demos for music theatre writers and performers.
When I began writing The Protagonists with my collaborator, Kevin Del Aguila, the question was how do we record our show to convey the different stylistic choices we created for our world. The Protagonists contains a world of
funk, classic pop and epic superhero music. It’s difficult to showcase this on just a piano. So as Kevin and I were writing, I built the song tracks using the many tools of my trade to create the demo that we have today.
As far as the vocals go, we invited our actors in separately and recorded them one at a time which gave us more flexibility during the mixing process. And because it’s our own space, we have the leisure of taking the time we need since we’re not on the clock at another studio.
Regarding the use of instruments, real or sampled, I always ask the question “Can a listener understand the world of the show with just a piano?” Believe me, I would prefer the ease of doing a demo with just piano and vocals. But when the style of the show is also a character, I think that the extra time and effort is definitely worthwhile.
So here we are, demo in hand, about to showcase The Protagonists at NAMT. We are very thankful for this opportunity. I have to admit, my favorite thing is being in the recording studio, and I’m very excited to share our demo with everyone.
The Gay Men’s Chorus of Washington DC just announced that two songs from Alexander’s House, “Get Out The Gay” and “They Played a Tape of the Pope”, were the top vote-getters in the Verizon Wireless-sponsored “Text2Vote” post-concert survey. Woohoo!
Overheard at the GMCW concert And I Am Telling You, Lisner Auditorium, Washington DC 6/05/11
The first half was the world premiere of Alexander’s House.
The second half featured a special appearance by Jennifer Holliday.
Orchestra center aisle, from the two sitting right behind us.
Before the concert:
The second half can only be better than the first… 11 songs in the first half? Hopefully it will go fast.
Well, I don’t know how Jennifer Holliday will top that.
The official website for ‘Brief Reunion’ went online yesterday at briefreunion.com.
Watch the trailer below — which includes pieces of Mike’s film score:
Randy Weiner, co-author of “Caligula Maximus“, was profiled in the New York Times ‘Fashion & Style’ section today about “Sleep No More”, and the first three paragraphs were all about “Caligula”!
(here is the nytimes.com direct link, beware the paywall)
Here is a great feature on “Caligula Maximus“, the hard-to-accurately-explain theatre/nightclub hybrid show I wrote and produced the music for that opened at House of Yes last week.
Here are some press items in advance of my show “Caligula Maximus” opening soon at House of Yes in Brooklyn.
The San Diego Gay Men’s Chorus will be performing the West Coast premiere of Mike’s oratorio “Through A Glass, Darkly” on April 9-10, 2011 in La Jolla at the 500-seat Lawrence Family Jewish Community Center’s David and Dorothea Garfield Theatre.
The SDGMC production will be the 6th for “Darkly” since the World Premiere by the Twin Cities Gay Men’s Chorus in March 2008.
Tickets are $25-$40 and can be purchased online at SDGMC.org.
Overheard at Angels in America, Signature Theatre Company, NYC 12/09/10
Row G, center – at the start of the second intermission:
Is it over?
Or another hour…
Is it over?
Oh, they just give us a break every so often.